#403 | September 2017 MAG

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Inside this issue:

Lichens: The many tendrils of Robert Aiki Aubrey Lowe’s artistic career extend from post-rock and avant doom to synthetic drift and black metal cinema. By Marc Masters

Meridian Brothers: Stylistic mayhem, irony and surrealism fuel the music of the freewheeling Colombian ensemble. By Russ Slater

Unsettling scores: The score can be brought to life through the bodies of its performers, according to composers Celeste Oram, Michael Baldwin, Louis d’Heudieres, Claudia Molitor and Luke Nickel. By Tim Rutherford-Johnson

Peter King: Tucked away on New Zealand’s South Island, a three decade, one-man lathe cutting operation etches polycarbonate discs for an eager world of music obsessives. By Noel Meek

EMMA: The South London producer steps back in time for her newest work. By Daisy Hyde

David Burraston: The artist also known as NYZ blurs the boundaries between research and recording. By Oli Warwick

Tom Phillips: The Peckham based visual artist prepares the definitive staging of his experimental opera Irma. By Julian Cowley

Gosheven: Nonstandard tunings open up a world of difference for composer Bálint Szabó. By Tristan Bath


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