#397 | MARCH 2017 MAG

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Inside this issue:

Áine O’Dwyer: Through her sounding of sacred spaces and collaborative projects, the Irish musician moves between the folk traditions and performance art that form her musical heritage. By Robert Barry

Experimental music from Canada: A new wave of inventive Canadian composers draws on sources from the medieval and microtonal to post-rock and improv. Tim Rutherford-Johnson meets them

The Primer Moroccan trance: The hypnotic sounds of North Africa have catalysed underground music both at home and in the West. Marcus Boon presents a user’s guide

Mark Fisher 1968–2017: Sukhdev Sandhu remembers the blogging years of the late Wire contributor

Mary Ocher: The Berlin based artist offers collage without frontiers. By Claire Sawers

Society of Strange and Ancient Instruments: Clare Salaman drags Francis Bacon’s utopian music into the present. By Clive Bell

ADULT.: The Detroit electroshock duo bring it all back home. By Sam Lefebvre

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