{"products":[{"id":10997703835915,"title":"AUGUSTUS PABLO - One Step Dub LP","handle":"augustus-pablo-one-step-dub-lp","body_html":"\u003cp\u003ePunched out as the dub companion to Junior Delgado’s hugely successful One Step More album, the release of One Step Dub (1988) couldn’t have been better timed coming on the back of a hugely successful tour of Europe with Delgado. Recorded at Channel One, Tuff Gong and Dynamic and engineered by Pablo, Soldgie, Steven Stanley and Tony Kelly One Step Dub included dubs to some big hitters from Jux including Hanging Tree and Riot In A Juvenile Prison.\u003c\/p\u003e","published_at":"2026-07-07T14:16:26+02:00","created_at":"2026-07-07T14:16:25+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Greensleeves","product_type":"Vinyl","tags":["Dub","Reggae","Reissue"],"variants":[{"id":53225704358155,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"27.00","grams":300,"compare_at_price":null,"position":1,"product_id":10997703835915,"created_at":"2026-07-07T14:16:25+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69709340999947,"created_at":"2026-07-07T14:15:01+02:00","position":1,"updated_at":"2026-07-07T14:15:04+02:00","product_id":10997703835915,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/augustuspabloonestepdub.jpg?v=1783426504","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8709995856139,"title":"BUTTHOLE SURFERS - Rembrandt Pussyhorse LP","handle":"butthole-surfers","body_html":"\u003cp\u003e\u003cspan\u003eThe early-mid \"80s had their share of insane combos -- The Birthday Party, Black Flag and Minor Threat had the raw power to melt your mind in seconds. SWANS, Einsturzende Neubauten and Big Black created enough overwhelming sonic pressure their sounds might actually flatten you. And Sonic Youth displayed such a dizzyingly unpredictable mix of art, pop culture and violence you\"d sometimes leave their shows drooling. The Buttholes shared elements with all of these groups, but added an insane psychedelic edge and a propensity for bizarre spectacle. This evolution continued on \"Rembrandt Pussyhorse,\" which featured a set of tunes for which the Buttholes\" rock-based form destruction was mixed with experimental, tape-mangling passages of many flavors. Haynes was handling all audible vocals by this point, and his mastery of post-tongue dynamism was finally in full flight. Meanwhile, their live shows became legendary examples of excess and derangement, and their music just kept getting louder and stranger and more savage. It was the diametric opposite of the hardcore scene from which it had emerged, which was heading in ever more codified and stylistically conservative directions.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","published_at":"2026-07-06T17:53:57+02:00","created_at":"2024-07-08T10:53:56+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Matador","product_type":"Vinyl","tags":["Experimental","Noiserock","Punk","Reissue"],"variants":[{"id":45601796653323,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"27.00","grams":300,"compare_at_price":null,"position":2,"product_id":8709995856139,"created_at":"2024-07-08T10:53:58+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":48068592992523,"created_at":"2024-07-08T10:53:32+02:00","position":1,"updated_at":"2024-07-08T10:53:34+02:00","product_id":8709995856139,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/ButtholeSurfsersRembrandt.jpg?v=1720428814","width":599,"height":605}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":8820811989259,"title":"BUTTHOLE SURFERS - Cream Corn from the Socket of Davis LP","handle":"butthole-surfers-cream-corn-from-the-socket-of-davis-lp","body_html":"\u003cp\u003eThe second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’\u003c\/p\u003e\n\u003cp\u003eThe period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole province of hallucingen-soaked punk rock freaks. By 1988 they had toured Europe, had records licensed internationally, and bought a house in Driftwood Texas to serve as their home base. But we’re getting ahead of ourselves.\u003c\/p\u003e\n\u003cp\u003e‘Hairway to Steven’ is a blast, ranging from the blood-smeared guitar-overload of “Jimi” to the acoustic guitar-based sing-along sweetness of “I Saw an X-Ray of a Girl Passing Gas” to the Fugs-like ranting of “John E. Smokes.” Yet somehow, the album managed to get the straight media to actually notice. For all its strangeness, ‘Hairway’ got rave notices in places that had never paid the band any attention previously. It was the Buttholes’ last album of the ‘80s and marks the beginning of their ascendance into something akin to commercial success. Not that the band actually imagined anything at all like that occurring.\u003c\/p\u003e","published_at":"2026-07-06T17:53:26+02:00","created_at":"2024-09-19T18:48:48+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Matador","product_type":"Vinyl","tags":["Experimental","Indie","Noiserock","Punk","Reissue"],"variants":[{"id":45886040670475,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"27.00","grams":300,"compare_at_price":null,"position":2,"product_id":8820811989259,"created_at":"2024-09-19T18:48:50+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":49122365899019,"created_at":"2024-09-19T18:47:56+02:00","position":1,"updated_at":"2024-09-19T18:48:00+02:00","product_id":8820811989259,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/creamcorn.jpg?v=1726764480","width":700,"height":700}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10824228307211,"title":"JESSE SYKES \u0026 THE SWEET HEREAFTER - Forever, I've Been Born LP","handle":"jesse-sykes-the-sweet-hereafter-forever-ive-been-born-lp","body_html":"\u003cp\u003eJesse Sykes \u0026amp; The Sweet Hereafter shall release their first new album since 2011’s Marble Son, and the band’s fifth album since 2002.\u003cbr\u003e\u003cbr\u003eForever, I've Been Being Born is a suite of masterful, emotive songs from an open heart, dwelling in a brightness yet deep in the ethereal and melancholic, steeped in themes of magical thinking, emotional dislocation, death and transformation. In the making for ten years, the album centres around the power of Jesse's transcendent voice, which has never been more beautiful, evocative, and hauntingly intimate. Guitarist Phil Wandscher's playing masterfully frames these songs with classic and fractured tones, a duet of vulnerability and strength frequently on the edge. The album also features exquisite contributions from Marissa Nadler, who can be heard on the lead single, “Gentle Chaperone.” \u003cbr\u003e\u003cbr\u003e“O my gentle chaperone, this is where I stay, but this is not my home”—- J.Sykes \u003cbr\u003e\u003cbr\u003eThis album is our attempt to create elegant folk and sometimes ragged, cosmic, heart rendered songs full of eulogies\u003cspan class=\"bcTruncateMore\"\u003e and laments. Our sound is still familiar enough, but unrecognisable at times—we’ve gotten older and wearier, the music more fragile… \u003cbr\u003e\u003cbr\u003e…When we started recording this album,  I remember saying, “Play the songs as if the edge of a butterfly wing was brushing against your cheek in the dark while you’re holding a small child.” I wanted to connote tenderness and a state of grace in the wake of resolution—paying homage to the creeping knowledge of an emerging, menacing undertone forming in our collective psyche. In hindsight, the delay in releasing this record has been a bit of a blessing, as the lyrics seem more poignant now, transcending our own internal voices and psyches. As the world shares its collective crisis, so we too, share our songs. - J. Sykes \u003cbr\u003e\u003cbr\u003eOn Forever, I’ve Been Being Born, Jesse Sykes And The Sweet Hereafter have crafted a work which feels “very much like a eulogy”, a collection of tracks which see Sykes exploring the idea of mortality with a calm acceptance. \u003cbr\u003e\u003cbr\u003eWhilst Sykes’ voice has already acted as a guiding light through dark times for others, for Jesse herself, that presence is felt in the form of a chaperone on this record. More specifically, Jesse’s childhood babysitter inspired a motif on the record, “She truly was the person who taught me love,” muses Jesse, “When I think of the moment of death, I often think that it would just be going to her” \u003cbr\u003e\u003cbr\u003eRecording a new album was delayed for years, in the wake of two band members unexpectedly leaving after Marble Son. “Losing our rhythm section was heartbreaking,” she reflects. “ It sounds cliche, but we had to grieve that loss, and in doing so, we had to separate ourselves from making music for a while, because dare I say, music was painful at the time. It reminded us of what we’d lost. Bands are like family and I’d lost my family. So yes, I had to give up music in order to fall in love with music again.” \u003cbr\u003e\u003cbr\u003eThe album title, Forever I’ve Been Being Born, hints towards this sense of cyclical surrender - “I’ve felt I’m constantly being born and constantly having to die. Or constantly dying in order to be reborn.” \u003cbr\u003e\u003cbr\u003eWe live in a time of collective mourning, and to Jesse, “the lyrics make more sense now than when I was writing them. I think there was some kind of premonition going on… juxtaposed to what’s happening in the country, the emotional climate - this music speaks to the times we are living through.” \u003cbr\u003e\u003cbr\u003eThe emotional feeling of the record can be summed up in a single line from the title track - “Eternities, they will crumble.” A quiet sense of acceptance runs through the record like a stream meandering towards the sea. \u003cbr\u003e\u003cbr\u003eIt is with great pleasure and humility that we bring you, Forever, I’ve Been Being Born. \u003cbr\u003eListen in the dark. \u003cbr\u003e\u003cbr\u003e“It’s that ancient light that wanders, \u003cbr\u003eRapt in the splendor of your form, \u003cbr\u003eAnd to this I will surrender, \u003cbr\u003eForever, I’ve been being born, \u003cbr\u003eBeneath an overarching, \u003cbr\u003eMelody, so forlorn.” \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-07-04T17:07:35+02:00","created_at":"2025-11-27T17:12:42+01:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Ideologic Organ","product_type":"Vinyl","tags":["Americana","Country","Folk"],"variants":[{"id":52716776128779,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"30.00","grams":300,"compare_at_price":null,"position":1,"product_id":10824228307211,"created_at":"2025-11-27T17:12:42+01:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":62784453443851,"created_at":"2025-11-27T17:12:12+01:00","position":1,"updated_at":"2025-11-27T17:12:16+01:00","product_id":10824228307211,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/JesseSykes.jpg?v=1764259936","width":300,"height":300}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10992342204683,"title":"OVERTHROW - Below The Debris TAPE","handle":"overthrow-below-the-debris-tape","body_html":"\u003cp\u003e\"Below The Debris\" is the latest album of the thrashcore band OVERTHROW from Berlin, Germany w\/ members of Turtle Rage \/ Gritted Teeth \/ Lagerkoller \u003c\/p\u003e","published_at":"2026-07-01T14:50:54+02:00","created_at":"2026-07-01T14:50:53+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"DIY","product_type":"Tapes","tags":["hardcore","Punk"],"variants":[{"id":53215302877451,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"8.00","grams":100,"compare_at_price":null,"position":1,"product_id":10992342204683,"created_at":"2026-07-01T14:50:53+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69636872143115,"created_at":"2026-07-01T14:50:18+02:00","position":1,"updated_at":"2026-07-01T14:50:21+02:00","product_id":10992342204683,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/a2647649985_1x1_700.jpg?v=1782910221","width":700,"height":700}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10992180068619,"title":"OLD SAW - Country Tropics LP","handle":"old-saw-country-tropics-lp-pre-order","body_html":"\u003cp\u003e\u003cstrong\u003e5th year anniversary reissue!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in 2021, Country Tropics was the first offering from Old Saw. At the time, no one was really certain who was behind the lush and textured arrangements of a soon to be beloved ensemble of New England based musicians. 5 years and 4 albums later, the group announced that their fall 2025 double album, The Wringing Cloth, would be their last. An outpouring of affection and adoration for what the group had accomplished followed, with many noting just how unique a space Old Saw occupied within an increasingly saturated sphere of Americana drone music\u003c\/p\u003e\n\u003cp\u003eIt’s with great pride and enthusiasm that we announce this 5th year anniversary pressing of Country Tropics to coincide with the group making a U-turn and rather than closing up shop, they are planning their very first live performances slated for later this summer across the northeast US.\u003c\/p\u003e\n\u003cp\u003eCountry Tropics has been highly in demand over the years and it feels appropriate to give it new life 5 years after its release, featuring deluxe packaging and wider global distribution.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDevotional music and its devotees all do a bit of \"buying in\"; that while one's on the ground reality may appear anything\u003cspan class=\"bcTruncateMore\"\u003e but celestial, through this music, one can reach ecstatic space, ecstatic peace. However, devotional music is not solely concerned with a skyward glance - what does it look like to raise up the rust, look upon fractured branches, gaze at the density of a low fog across a field? Instead of us looking up at the land, what if the land was looking back at us? Old Saw brings together a brigade of New England silt sifters to raise up the land not as excavators, but as preparators. Tending and caring for the simple mess that our world discards. Throughout \"Country Tropics\" four pieces, the crew stretches and bends chords to their resting place before setting forth towards a new one. Fiddle drone, wistful tape loops of pedal steel, pipe organ hums, and clattering bells call us to scenes of observation, a water tower, a mechanical bull rental agency, a back porch, a taxidermy shop, a local church choir, a garden with singing vines, voltage hum of the electric fence on Pulp mill bridge road. \u003cbr\u003e\u003cbr\u003eThe funny thing about devotion is the absence of sight, of source. We place trust in the guide or guides to bring us to a place of seeing, feeling, and hearing. The music on \"Country Tropics\" calls out to those in search of such places, but also doesn't demand we conjure some fantastical, celestial vision of understanding. Rather, Old Saw points our gaze downward towards the terrafirma unconsidered, and guides our hands into the dirt.\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-07-01T13:05:00+02:00","created_at":"2026-07-01T13:04:58+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Lobby Art","product_type":"Vinyl","tags":["Country","Experimental","Folk","Guitar Picking"],"variants":[{"id":53214866833675,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"30.00","grams":400,"compare_at_price":null,"position":1,"product_id":10992180068619,"created_at":"2026-07-01T13:04:58+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69634579333387,"created_at":"2026-07-01T13:03:47+02:00","position":1,"updated_at":"2026-07-01T13:03:49+02:00","product_id":10992180068619,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/oldsawcountrytropics.jpg?v=1782903829","width":596,"height":600},{"id":69634600599819,"created_at":"2026-07-01T13:04:22+02:00","position":2,"updated_at":"2026-07-01T13:04:25+02:00","product_id":10992180068619,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/oldsawcountrytropicsreissue.jpg?v=1782903865","width":1200,"height":900}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10992178954507,"title":"JOHNNY COLEY - Where the Smoke Goes LP","handle":"johnny-coley-where-the-smoke-goes-lp-pre-order","body_html":"\u003cp\u003eLobby Art is honored to present the final two LPs from the late Birmingham, AL-based queer poet and artist Johnny Coley, who passed away in 2025 at the age of 76. Tender, lucid, and slippery poems unspool in Johnny’s signature drawl, charting oblique journeys through the sidereal and mundane. He composes painterly landscapes of his beloved Alabama and imagines waking up in the crowded streets of London. This is Southern Surreal story-telling where each new word opens a door to the familiar unexpected. Both albums feature intimate collaborations with his small cohort of Birmingham-affiliated composers and improvisers that have helped usher Johnny's work to wider audiences with past releases on Sweet Wreath, Mississippi Records, and Astral Editions. On Where the Smoke Goes, Turner Williams Jr. assembles dilating tapestries of fractured Americana with assists from Old Saw’s Henry Birdsey while on As I Slip Into the Sky, Joel Nelson boldly illuminates Johnny’s final improvisations with shimmering analog electronics. All told, these two LPs work in tandem, highlighting the unique terrain Johnny occupied, and capturing the magical twilight peak of a true poetic voice of our strange late American era. \u003cbr\u003e\u003cbr\u003eWhere the Smoke Goes captures the conscious and\u003cspan class=\"bcTruncateMore\"\u003e unconscious of Johnny Coley in duet between 2020-2024 AD. Alabama-born, Marseille-based artist Turner Williams Jr. wraps a selection of his dear friend Johnny’s penultimate compositions in arresting tone poems. The music buzzes and hums with distant trains, trembling strings, and lapping water, haloing our protagonist in a humid glow as he considers whether horses can live to 70 years old, cigarettes potent enough to knock you on your ass, and orchids facing the wrath of winter storms. This work began in the first Covid spring, as Johnny's advancing multiple sclerosis gave way to a permanent domestic confinement and a final period of prolific creativity. Johnny braved the toxic gales of social media to share his thriving poetry and visual art practice and to keep in touch with friends like Turner, who had recently moved abroad. For the first time, Johnny recorded himself, sending Turner fresh poems, day and night. Taking cues from late era Coil and the operas of Robert Ashley, Turner approached these recordings both as language and pure sound, arranging accompanying mosaics that emerge as much from Johnny’s unseen text as his mercurial drawl. Tracks draw from Turner’s solo practice as well as sessions including Henry Birdsey of Old Saw, members of the French underground (Manoir Molle, Loto Retina, Mona Assayag) and close Birmingham collaborators (Jasper Lee, Jimmy Griffin, Ladonna Smith). The voice is parsed and played as an instrument and each poem becomes a score. \u003cbr\u003e\u003cbr\u003eThere is Johnny’s poetry and Johnny’s voice. These are two independent yet interwoven instruments. For Turner, Johnny's vocabulary, cadence, and timbre carry all of the contradictions that he writes about. His work is a dialogue of rich contradictions. \"He plays with Southern American vernacular speech in his poetry while embodying it with his speech, creating a zone of emotional frisson. He loved combining opposites. Rough yet soft was one of his favourite descriptors\", Turner recalls, \"That was Johnny.” Upon hearing the completed record, Johnny likened it to \"a beautiful wood box, that when you open it there are fabrics shot through with silk threads and sharp fall-woods smells - supporting and decorating the poems that fall out of them.” This record captures something unconscious, atmospheric, and gives it unexpected materiality. Smoke that you can feel like grass under your feet. Stars that you can touch like a lover. Meeting for the final time in the summer or 2025, the time for words had passed so they just held hands and listened to the album opener \"Stargazer” in silence as Johnny drifted off to sleep. \u003cbr\u003e\u003cbr\u003eRIYL : Coil, Robert Ashley, Old Saw\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-07-01T12:59:42+02:00","created_at":"2026-07-01T12:59:41+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Lobby Art","product_type":"Vinyl","tags":["Ambient","Experimental","Spoken Word"],"variants":[{"id":53214859952395,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"30.00","grams":400,"compare_at_price":null,"position":1,"product_id":10992178954507,"created_at":"2026-07-01T12:59:41+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69634460090635,"created_at":"2026-07-01T12:58:30+02:00","position":1,"updated_at":"2026-07-01T12:58:34+02:00","product_id":10992178954507,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/coleywherethesmoke.jpg?v=1782903514","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10992178233611,"title":"JOHNNY COLEY - As I Slip into the Sky LP","handle":"johnny-coley-as-i-slip-into-the-sky-lp-pre-order","body_html":"\u003cp\u003eLobby Art is honored to present the final two LPs from the late Birmingham, AL-based queer poet and artist Johnny Coley, who passed away in 2025 at the age of 76. Tender, lucid, and slippery poems unspool in Johnny’s signature drawl, charting oblique journeys through the sidereal and mundane. He composes painterly landscapes of his beloved Alabama and imagines waking up in the crowded streets of London. This is Southern Surreal story-telling where each new word opens a door to the familiar unexpected. Both albums feature intimate collaborations with his small cohort of Birmingham-affiliated composers and improvisers that have helped usher Johnny's work to wider audiences with past releases on Sweet Wreath, Mississippi Records, and Astral Editions. On Where the Smoke Goes, Turner Williams Jr. assembles dilating tapestries of fractured Americana with assists from Old Saw’s Henry Birdsey while on As I Slip Into the Sky, Joel Nelson boldly illuminates Johnny’s final improvisations with shimmering analog electronics. All told, these two LPs work in tandem, highlighting the unique terrain Johnny occupied, and capturing the magical twilight peak of a true poetic voice of our strange late American era. \u003cbr\u003e\u003cbr\u003eAs I Slip Into the Sky reflects a particularly\u003cspan class=\"bcTruncateMore\"\u003e small sliver of time compared to Where the Smoke Goes, with recordings taking place in early 2025, while Johnny was bed-bound in an assisted living facility with multiple sclerosis. Alabama born, Portland based artist Joel Nelson helms the nearly entirely electronic backdrop, posing a new canvas for Johnny, with Buchla music easel bubbling up between Johnny’s lines. This album captures Johnny in a remarkably tender and emotive form. Love and all its permutations. The tangled, but caring nature of familial love, (“But you and me, we can talk on the phone every day. I would never leave you behind”), to the anguish and euphoria of romantic connection. Johnny has a remarkable ability to pose questions, (\"What is real love like?), and provide answers that reflect the truest of realities, absent cliche (\"I don't know. His curly hair, short on his head, his smile, his smile, his smile...that is what real love is like\"). \u003cbr\u003e\u003cbr\u003eJoel Nelson's nimble work across a small array of analog synthesizers creates a flowing backdrop to Johnny's stream of consciousness. At times, Broadcast's fuzzed out ballads come to mind, while at others, early Oneohtrix Point Never's gauzy, distant drones anchor beneath Johnny's slippery syntax. \u003cbr\u003e\u003cbr\u003eJohnny recorded his poems while confined to a hospital bed, through an iPhone laid gently on his chest. Assisted by the caring presence of John Albea and Lauren Jones, we can hear through these recordings Johnny immersed in his world of words, taking in the world of sounds Joel had provided for him. We hear his breath, at times we hear the harsh sibilance captured by the iPhone microphone, but more than anything, we hear the tenderness and poetic resolve of his caring soul. He was incredibly grateful for the past years of connecting with the small cohort of Birmingham-affiliated musicians and artists who upheld him as the unofficial poet laureate of \"The Magic City\", Birmingham, AL. Perhaps most appropriately, Johnny closes the album out in a state of gratitude: \u003cbr\u003e\u003cbr\u003e\"My funeral was perfect \u003cbr\u003eI was buried wearing a very charming jacket \u003cbr\u003eA very charming jacket I just happened to have on when i died \u003cbr\u003eHe was always the lucky one, Mary-Ellen said \u003cbr\u003eI've been looking for a nice casual jacket like that I could wear to casual little outdoor parties and to my funeral all my life \u003cbr\u003eBut Johnny just had one \u003cbr\u003eProbably someone left it in his car \u003cbr\u003eHe was so lucky \u003cbr\u003eIt doesn't even make sense \u003cbr\u003eBut its true \u003cbr\u003eHe really was that lucky\"\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-07-01T12:56:48+02:00","created_at":"2026-07-01T12:56:47+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Lobby Art","product_type":"Vinyl","tags":["Ambient","Experimental","Spoken Word"],"variants":[{"id":53214857658635,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"30.00","grams":400,"compare_at_price":null,"position":1,"product_id":10992178233611,"created_at":"2026-07-01T12:56:47+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69634386297099,"created_at":"2026-07-01T12:54:49+02:00","position":1,"updated_at":"2026-07-01T12:54:53+02:00","product_id":10992178233611,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/coleyasislip.jpg?v=1782903293","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10992162439435,"title":"CIGARETTES AFTER SEX - Cry LP","handle":"cigarettes-after-sex-cry-lp","body_html":"\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong\u003e180g DELUXE VINYL.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClocking in at nine songs,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCry\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a compact collection but its brevity belies its depth. While the band’s sound may be most associated with the romantic pop music of the late 50s and early 60s, Greg Gonzalez pushes into more unexpected sonic territory on\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eCry\u003c\/i\u003e, reaching back to his childhood in El Paso, Texas, to draw subtle melodic influence from 90s Tejano stars like Selena and mainstream pop country artists like Shania Twain.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eGonzalez pushes himself lyrically on the album too, tackling sex with the graphic frankness of Henry Miller or Leonard Cohen as he renders unabashed, sometimes explicitly erotic scenes with a casual candour. Writing with a filmmaker’s eye, he captures tiny moments with a rich, cinematic detail that manages to locate the profound within the mundane.\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2026-07-01T12:12:53+02:00","created_at":"2026-07-01T12:12:52+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Partisan Records","product_type":"Vinyl","tags":["Dreampop","Indie"],"variants":[{"id":53214740283659,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"35.00","grams":400,"compare_at_price":null,"position":1,"product_id":10992162439435,"created_at":"2026-07-01T12:12:52+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69634213380363,"created_at":"2026-07-01T12:12:34+02:00","position":1,"updated_at":"2026-07-01T12:12:37+02:00","product_id":10992162439435,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/cigarettesaftersex.jpg?v=1782900757","width":1155,"height":1155}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":6247261208748,"title":"KURT VILE - bottle it in DLP","handle":"kurt-vile-bottle-it-in-dlp","body_html":"\u003cspan\u003eTravel can inspire in surprising ways: Kurt Vile discovered as much making his first record in three years, the eclectic and electrifying Bottle It In, which he recorded at various studios around the country over two very busy years, during sessions that usually punctuated the ends of long tours or family road trips.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEvery song, whether it’s a concise and catchy pop composition or a sprawling guitar epic, becomes a journey unto itself, taking unexpected detours, circuitous melodic avenues, or open-highway solos. If Vile has become something of a rock guitar god—a mantle he would dismiss out of humility but also out of a desire to keep getting better, to continue absorbing new music, new sounds, new ideas—it’s due to his precise, witty playing style, which turns every riff and rhythm into points on a map and takes the scenic route from one to the next.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUsing past albums as points of departure, Bottle It In heads off in new directions, pushing at the edges of the map into unexplored territory: Here be monster jams. These songs show an artist who is still evolving and growing: a songwriter who, like his hero John Prine, can make you laugh and break your heart, often in the same line, as well as a vocalist who essentially rewrites those songs whenever he sings them in his wise, laconic jive-talkin’ drawl. He revels in the minutiae of the music— not simply incorporating new instruments but emphasizing how they interact with his guitar and voice, how the glockenspiel evokes cirrocumulus clouds on “Hysteria,” how Kim Gordon’s “acoustic guitar distortion” (her term) engulfs everything at the end of “Mutinies,” how the banjo curls around his guitar lines and backing vocals from Lucius to lend a high-lonesome aura to “Come Again.”\u003c\/span\u003e","published_at":"2026-07-01T10:41:07+02:00","created_at":"2021-02-08T00:37:15+01:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Matador","product_type":"Vinyl","tags":["Garage","Indie"],"variants":[{"id":38022595870892,"title":"Regular Black Edition","option1":"Regular Black Edition","option2":null,"option3":null,"sku":"SW27918","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"31.00","grams":550,"compare_at_price":null,"position":1,"product_id":6247261208748,"created_at":"2021-02-08T00:37:15+01:00","updated_at":"2026-07-08T02:28:55+02:00"},{"id":38022595903660,"title":"Limited Colored Edition","option1":"Limited Colored Edition","option2":null,"option3":null,"sku":"SW28729","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"price":"32.00","grams":550,"compare_at_price":null,"position":2,"product_id":6247261208748,"created_at":"2021-02-08T00:37:15+01:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":23546010271916,"created_at":"2021-02-08T00:37:15+01:00","position":1,"updated_at":"2021-02-08T00:37:15+01:00","product_id":6247261208748,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/products\/97b7c7af2f7de45f030d0f17cb24f943.jpg?v=1612741035","width":500,"height":500}],"options":[{"name":"title","position":1,"values":["Regular Black Edition","Limited Colored Edition"]}]},{"id":10991575990539,"title":"V\/A - Let Me Perish Without Return: Lament and Longing from the Fading Russian Empire, 1889-1917 LP","handle":"v-a-let-me-perish-without-return-lament-and-longing-from-the-fading-russian-empire-1889-1917-lp","body_html":"\u003cp\u003eDeath Is Not The End's  next release with Gary Sullivan's Bodega Pop project - rooted in a passion for digging for music in bodegas and cell-phone stores across NYC's boroughs. This edition focuses in on early recordings found in Russian neighborhoods in Brooklyn \u0026amp; Queens. \u003cbr\u003e\u003cbr\u003e\"At the turn of the last century, the Russian Empire stood at a crossroads, caught between the weight of its imperial past and the promise of a radically altered future. Recorded during a period of profound cultural transformation and unrest, the music collected here offers a haunting glimpse into that fragile moment in history. From playful and satirical melodies that were musichall staples to heartbreaking ballads reflecting the despair of those exiled to Siberian penal colonies, these songs provided both refuge and a reflection of the deep suffering experienced by many living under the regime. More than entertainment, they formed essential strands in the Russian cultural fabric of the time—songs sung in drawing rooms and taverns and on street corners and prison grounds. \u003cbr\u003e\u003cbr\u003eI found this music in several gift and media stores in Forest Hills, Queens, and the Brighton Beach and Gravesend neighborhoods of Brooklyn. These and a few other communities are home to more than half a million people of Russian background currently\u003cspan class=\"bcTruncateMore\"\u003e living in New York City, many of them refugees. Back in the aughts and teens, when I was collecting music from New York’s innumerable immigrant-run stores, I would always wonder why this music, why here, and why now. \u003cbr\u003e\u003cbr\u003eThe CDs immigrants stocked on their New York shelves in the 2000s and 2010s was a tiny fraction of what was available in their home countries. The Russians were in the minority of those who consistently carried compilations of early 20th century recordings—the Chinese, Egyptian, Greek, and Turkish shopkeepers were the only others I remember off the top of my head as being particularly dedicated to this period of their musical history. \u003cbr\u003e\u003cbr\u003eWhat was the appeal of such old music? First-generation Russian New Yorkers might have experienced in it a reflection of their own feelings of displacement and uncertainty. The deep sorrow and yearning expressed in these songs may have resonated with their own senses of loss while offering comfort in the form of shared emotional experience. Perhaps it was a way to keep some cultural memory alive in something they knew had once accompanied their elders and ancestors through times of hardship and change. \u003cbr\u003e\u003cbr\u003eWhat is the appeal of such old music for us, today?\" \u003cbr\u003e\u003cbr\u003e-- Gary Sullivan (Bodega Pop)\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-30T17:20:58+02:00","created_at":"2026-06-30T17:20:57+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Death Is Not The End","product_type":"Vinyl","tags":["Folk","World"],"variants":[{"id":53212572090635,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"32.00","grams":300,"compare_at_price":null,"position":1,"product_id":10991575990539,"created_at":"2026-06-30T17:20:57+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69625617383691,"created_at":"2026-06-30T17:20:23+02:00","position":1,"updated_at":"2026-06-30T17:20:26+02:00","product_id":10991575990539,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/letmeperish.jpg?v=1782832826","width":597,"height":600}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10991569142027,"title":"V\/A - The Pain of Separation: Turkish Gazels, 1926-1935 LP","handle":"v-a-the-pain-of-separation-turkish-gazels-1926-1935-lp","body_html":"\u003cp\u003eA collection of spellbinding, melismatic vocal improvisations taken from 78s cut between the mid 1920s to mid '30s - a period defined by the aftermath of the Ottoman Empire’s partition, the Greco-Turkish War and the compulsory population exchange that followed.\u003c\/p\u003e\n\u003cp\u003eThis same period also represented a time of intense efforts, following the establishment of the Republic, to westernise the new nation's music - coupled with a ban on traditional music education in schools, and later a complete ban on broadcasting Ottoman-Turkish classical music on the radio. As such these performances seem shrouded in an even more distant past, and feel quite intimately connected with forms of Greek amanes and rebetiko - having stemmed from the same Ottoman makam system, both with a subject-matter focussed on heartbreak, yearning, and pain.\u003c\/p\u003e","published_at":"2026-06-30T17:16:08+02:00","created_at":"2026-06-30T17:16:06+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Death Is Not The End","product_type":"Vinyl","tags":["Folk","World"],"variants":[{"id":53212561408267,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"32.00","grams":300,"compare_at_price":null,"position":1,"product_id":10991569142027,"created_at":"2026-06-30T17:16:06+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69625559646475,"created_at":"2026-06-30T17:15:34+02:00","position":1,"updated_at":"2026-06-30T17:15:37+02:00","product_id":10991569142027,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/thepainofseperation.jpg?v=1782832537","width":600,"height":596}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10991565766923,"title":"ICEAGE - For Love of Grace \u0026 the Hereafter LP","handle":"iceage-for-love-of-grace-the-hereafter-lp","body_html":"\u003cp\u003eFor Love of Grace \u0026amp; the Hereafter is the sixth studio album from beloved Danish quintet Iceage. Across the sprawling, twelve song arc of the album, a universe of love variously expands and contracts in an eternal tango, Elias Rønnenfelt’s lyrics burn with apocalyptic intimacy while the band masterfully maneuvers within their shape-shifting scenery of feral post-punk.\u003c\/p\u003e","published_at":"2026-06-30T17:12:43+02:00","created_at":"2026-06-30T17:12:42+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"MEXICAN SUMMER records","product_type":"Vinyl","tags":["Indie","Postpunk"],"variants":[{"id":53212549841163,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"30.00","grams":300,"compare_at_price":null,"position":1,"product_id":10991565766923,"created_at":"2026-06-30T17:12:42+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69625531171083,"created_at":"2026-06-30T17:11:37+02:00","position":1,"updated_at":"2026-06-30T17:11:40+02:00","product_id":10991565766923,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/iceage.jpg?v=1782832300","width":700,"height":700}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10991561441547,"title":"KURT VILE - God Is Saying This To You... LP","handle":"kurt-vile-god-is-saying-this-to-you-lp","body_html":"\u003cp\u003eGod Is Saying This to You... is the second studio album by American lo-fi indie rock musician Kurt Vile, released in April 2009 on Mexican Summer records as a limited vinyl release. A repress of 2000 copies was released in 2010.\u003c\/p\u003e\n\u003cp\u003eSimilar to Vile's previous album, Constant Hitmaker (2008), the album is a compilation of home recordings recorded between 2003 and 2008. The album predominantly features material recorded prior to Constant Hitmaker, with Vile noting, \"I put on really early songs, like from my first CD-R. I put them on there along with songs I had just recorded.\"\u003c\/p\u003e","published_at":"2026-06-30T17:07:49+02:00","created_at":"2026-06-30T17:07:48+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"MEXICAN SUMMER records","product_type":"Vinyl","tags":["Folk","Indie","Rock"],"variants":[{"id":53212533621003,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"27.00","grams":300,"compare_at_price":null,"position":1,"product_id":10991561441547,"created_at":"2026-06-30T17:07:48+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69625495912715,"created_at":"2026-06-30T17:06:45+02:00","position":1,"updated_at":"2026-06-30T17:06:47+02:00","product_id":10991561441547,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/kurtvilegod.jpg?v=1782832007","width":300,"height":300}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10991558066443,"title":"SWANS - My Father Will Guide Me Up A Rope To The Sky LP","handle":"swans-my-father-will-guide-me-up-a-rope-to-the-sky-lp","body_html":"\u003cp\u003eAfter years of pursuing Angels of Light and recording and producing a diverse roster of artists for his Young God label, Michael Gira has decided to reconvene his legendary group Swans. As he says: “THIS IS NOT A REUNION. It’s not some dumb-ass nostalgia act. It is not repeating the past. After 5 Angels Of Light albums, I needed a way to move FORWARD, in a new direction, and it just so happens that revivifying the idea of Swans is allowing me to do that. “ \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe core group constituting Swans for this phase is Michael Gira \/ guitar \/ voice \/ mendicant friar act (original swans); Norman Westberg – guitar (original swans); Christoph Hahn – guitar (mid period swans and most angels); Phil Puleo – drums, percussion, dulcimer etc (final swans tour and most angels); Chris Pravdica – bass and gadgets (flux information sciences \/ services\/ gunga din); Thor Harris - drums, percussion, vibes, dulcimer, curios, keys (angels, now also with Shearwater)… \u003cbr\u003e\u003cbr\u003eThis highly anticipated album is as powerful and diverse as anything Gira’s done, in Swans or otherwise. It opens with the epic, soul-crushing (bone crushing?) No Words\/No Thoughts, but quickly veers to more pastoral terrain, then on to ever-ascending mono-tonal grooves, a filmic-folk idyll featuring Devendra Banhart\u003cspan class=\"bcTruncateMore\"\u003e on lead vocal that abruptly shifts to cataclysm, then on to more airplane-taking-off ascensions, art songs, and more lethal sonic pummeling. In short, this is the new SWANS album, a significant advance from where Swans left off and as challenging and emotionally demanding as ever. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIncreasing frustrated by the (self imposed) constraints he’d set for himself in Angels of Light, Gira decided that the direction he wanted his music to take would be more appropriate under the moniker of the group he started in 1982 and retired in 1997. Though the new album retains an attention to detail in orchestration, and an underlying sense of melody on many of the songs, there’s a deliberate shift towards sonic intensity, relentless, maniacal rhythms and alternately abrasive and soaring waves of electric guitar, qualities those familiar with the always-shifting sonic approach of Swans over the (now first) 15 years of its’ existence will recognize. This record immediately feels like Swans but is also obviously unique and moving into new territory. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eHere’s what Gira says about the moment he decided to reconvene Swans: \u003cbr\u003e\u003cbr\u003e“There was a point a few years ago during a particular show when I was on tour with Angels of Light, with Akron\/Family serving as the backing band. It was during the song The Provider. Seth’s guitar was sustaining one open chord (very loudly), rising to a peak, then crashing down again in a rhythm that could have been the equivalent of a deep and soulful act of copulation. The whole band swayed with this arc. Really was like riding waves of sound. I thought right then, “You know, Michael, Swans wasn’t so bad after all...” - ha ha! It brought back – in a flood – memories, or maybe not memories, more a tangible re-emersion in the sensation of Swans music rushing through my body in waves, lifting me up towards what, I can only assume, will be my only experience of heaven. It’s difficult – and probably pointless – to try to describe this experience. It’s ecstatic, I suppose – a force of simultaneous self negation and rebirth. Really, I probably only experienced this a handful of times to such an extreme extent during the entire 15 year history of Swans. All the elements have to align perfectly, and you can’t force it, though you might constantly strive for it. I don’t mean to be too lofty here, but it’s a fact. I’m talking about my own experience of the music (though I’d hope people in the audiences along the way might have experienced a similar episode). When I ask myself if I believe in God, I start to say NO, but then I remember that sensation, and I’m not so sure. So I want more of that, before my body breaks down to such an extent that it won’t be possible any more. So I’m doing it. “ \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-30T17:03:38+02:00","created_at":"2026-06-30T17:03:37+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"MUTE records","product_type":"Vinyl","tags":["Experimental","Noiserock","Rock"],"variants":[{"id":53212518547723,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"28.00","grams":300,"compare_at_price":null,"position":1,"product_id":10991558066443,"created_at":"2026-06-30T17:03:37+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69625462882571,"created_at":"2026-06-30T17:02:29+02:00","position":1,"updated_at":"2026-06-30T17:02:33+02:00","product_id":10991558066443,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/swansmyfather.jpg?v=1782831753","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10991557411083,"title":"SHABAKA AND THE ANCESTORS - Wisdom Of Elders DLP","handle":"shabaka-and-the-ancestors-wisdom-of-elders-dlp","body_html":"\u003cp\u003eWisdom of the Elders was recorded in Johannesburg in 2015 on one of many trips Shabaka Hutchings took there to immerse himself in the country’s rich musical heritage. The album is a psalm in nine parts. An episodic unfurling of a sonic journey across the Atlantic.\u003c\/p\u003e\n\u003cp\u003e“The grand scheme of this album is to present the musical language that I normally associate with my UK bands in the context of SA musicians and musical sensibilities,” explains Shabaka Hutchings.\u003c\/p\u003e\n\u003cp\u003e8 men in a studio in Johannesburg; one tenor sax, one alto sax, one trumpet. One on vocals, one on ivory, one bass, one on percussion and one the drums. 800 million voices. 700 years. Millions of bones cracking under the weight of 22 false free years. Innumerable tiny sparks. One uncontrollable blaze.\u003cbr\u003e\u003c\/p\u003e","published_at":"2026-06-30T16:59:52+02:00","created_at":"2026-06-30T16:59:51+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Brownswood","product_type":"Vinyl","tags":["Free Jazz","Jazz","Spiritual Jazz"],"variants":[{"id":53212487287051,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"33.00","grams":550,"compare_at_price":null,"position":1,"product_id":10991557411083,"created_at":"2026-06-30T16:59:51+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69625326567691,"created_at":"2026-06-30T16:58:52+02:00","position":1,"updated_at":"2026-06-30T16:58:55+02:00","product_id":10991557411083,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/shabaka.jpg?v=1782831535","width":700,"height":700}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10991277605131,"title":"TAHMELA SIX - Alight LP","handle":"tahmela-six-alight-lp","body_html":"\u003cp\u003eAlight is the second album by Tahmela Six, recorded outdoors on 15 August 2025 at Palmutsaari farm in Kiikala, on the open ground where the field meets the forest. No studio walls, no isolation booths; just the six players, the August afternoon, and whatever the day brought with it. Wind, insects, the warmth of the sun, the geometry of an open field: these are part of the record, not edited around it.\u003c\/p\u003e\n\u003cp\u003eThe choice was deliberate. Outdoor recording is often used as effect or curiosity, a layer added over music made elsewhere. On Alight the environment is the room. Sound travels differently when there are no walls returning it; distances stretch, dynamics open up, the players hear each other across space rather than within it. The record is less \"recorded outside\" than recorded together with a place.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe freedom that gives free jazz its name takes physical form here. The group improvises not only with each other but with the weather, the time of day, and the ambient life around the microphones. The listening reaches past what is played. The music moves between hush and full surge, between passages that almost dissolve into the field and collective swells that pull everything back in.\u003c\/p\u003e\n\u003cp\u003eFour tracks span two sides of the LP. \"Endless Summer Sun\" opens across eleven minutes of late-summer heat, the horns finding their way slowly into the open. \"Time and Again\" follows as a shorter, more internal passage. The B-side begins with \"Ground VI\", released as a single on 30 April 2026, and closes with the fifteen-minute title track, which holds the whole arc of the day.\u003c\/p\u003e\n\u003cp\u003eAlight is a place, a time, and a sound at once. Not constructed, not repeatable. It happened.\u003c\/p\u003e","published_at":"2026-06-30T11:54:53+02:00","created_at":"2026-06-30T11:54:51+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Mustik Motel","product_type":"Vinyl","tags":["Free Jazz","Jazz"],"variants":[{"id":53211645411595,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"27.00","grams":300,"compare_at_price":null,"position":1,"product_id":10991277605131,"created_at":"2026-06-30T11:54:51+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69623750328587,"created_at":"2026-06-30T11:54:02+02:00","position":1,"updated_at":"2026-06-30T11:54:06+02:00","product_id":10991277605131,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/tahmelasix_c4ca4b3e-895a-47fa-8aa8-581eaa35cefc.jpg?v=1782813246","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10991276196107,"title":"JUHO TOIVONEN - Kuun Sininen Rinki LP","handle":"juho-toivonen-kuun-sininen-rinki-lp","body_html":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eFlourishing minimal composer Juho Toivonen returns with Kuun Sininen Rinki (‘Blue Circle of the Moon’), a four-track LP assembling recordings from two distinct moments in his recent work. Issued by Infinite Expanse, the release gathers previously unreleased material alongside pieces that first appeared in extremely limited CDr form, offering a glimpse into an early phase of Toivonen’s developing piano practice. \u003cbr\u003e\u003cbr\u003eIf you’ve spent time with Toivonen’s 2023 LP Kasveille ja eläimille, the A-side will feel like stepping further into the same hazy world. Recorded during the same sessions, these pieces capture a moment when the piano had only recently entered the centre of his work. Small melodic figures circle patiently through open space while overtones linger and dissolve. The title piece moves in slow, hypnotic cycles, while ‘Nuclear Boy Scout’ moves into far denser terrain, built from thick synthesizer tones and colliding field recordings, with the piano receding to a barely perceptible trace. \u003cbr\u003e\u003cbr\u003eThe B-side turns to two recordings originally issued in small numbers on the 2024 CDr Sellikehä, released through the Swedish imprint Förfall, part of the wider orbit around Discreet Music - which also released Toivonen’s most recent LPs, Sisarusten Toistuva\u003cspan class=\"bcTruncateMore\"\u003e Uni (2024) and Lapsikuninkaan Fanfaari (2025). The two pieces originally appeared there as extended studies loosely informed by the poetry of Edith Södergran. Here the pacing stretches further still: ‘Mitä on tapahtunut sadussa, on tapahtuva minullekin’ unfolds through widely spaced chords that hang in the air, while the closing ‘Punaista ja keltaista ja kaikki toiset värit’ moves slowly through shifting tonal colour. \u003cbr\u003e\u003cbr\u003eAcross the record the materials remain spare. Short melodic figures circle slowly through open space, the piano’s sustain carrying long trails of resonance while small harmonic shifts quietly reshape the atmosphere. Rather than pushing toward resolution, the pieces seem content to hover there, allowing time to stretch and settle. There are distant echoes here of the resonant piano minimalism explored by Charlemagne Palestine and the patient tonal drift of Yoshi Wada, while the blurred edges and tape-softened atmosphere occasionally recall the memory-haunted ambience associated with William Basinski or Grouper. Those familiar with this corner of minimal and ambient music will recognise the terrain. \u003cbr\u003e\u003cbr\u003eTaken together, the recordings offer a snapshot of an early stage in Toivonen’s piano work. Listening back now, he reflects that he would no longer be able to recreate the moments captured here, hearing the release instead as a document of a particular phase in his practice and relationship with sound. In that sense, the record captures a particular moment in his playing. \u003cbr\u003e\u003cbr\u003eThe LP features cover artwork by Arsi Keva of Ultraääni Records and liner notes by Ian Fenton of Frozen Reeds.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e","published_at":"2026-06-30T11:44:10+02:00","created_at":"2026-06-30T11:44:08+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Infinite Expanse","product_type":"Vinyl","tags":["Experimental","Modern Classical","Piano"],"variants":[{"id":53211641872651,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"27.00","grams":300,"compare_at_price":null,"position":1,"product_id":10991276196107,"created_at":"2026-06-30T11:44:08+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69623710286091,"created_at":"2026-06-30T11:41:29+02:00","position":1,"updated_at":"2026-06-30T11:41:33+02:00","product_id":10991276196107,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/juhotoivonen.jpg?v=1782812493","width":1200,"height":1186}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10991274885387,"title":"KUUSIJÄRVI \/ RÖNKKÖ - Aika Ja Tila LP","handle":"kuusijarvi-ronkko-aika-ja-tila-lp","body_html":"\u003cp\u003eKuusijärvi\/Rönkkö launches the concept of accordion jazz into orbit with their album Aika ja tila (Time and Space). Built entirely on improvisation, this six-track collection stretches both musical genre boundaries and the very fabric of spacetime.\u003cbr\u003e \u003cbr\u003eHarri Kuusijärvi’s electronic accordion sounds at times like the chirping of a cyborg bird flock, and at others like Brian Eno’s electric toothbrush just as the batteries are dying. The other half of the duo, Tatu Rönkkö, weaves through his drum kit, moving from sophisticated, broken rhythms to fiercely intense, tectonic shifting.\u003cbr\u003e \u003cbr\u003eBorn from improvisation in the midst of the northern Midnight Sun, the album is a document of two musicians in a moment where the shackles of genre have been broken. Aika ja tila takes the listener on a journey through shifting musical landscapes that captivate the ear and liberate the imagination.\u003c\/p\u003e\n\u003cp\u003eAbout Kuusijärvi\/Rönkkö:\u003cbr\u003e \u003cbr\u003eHarri Kuusijärvi is one of the most distinctive figures in contemporary accordion music, constantly pushing the boundaries of his instrument. His albums have received prestigious recognition, including Teosto Prize and Emma Award nominations.\u003cbr\u003e \u003cbr\u003eTatu Rönkkö plays everyday objects and drums with a playful, open-minded approach. He has built a versatile international career as a drummer and sound designer in bands such as Efterklang and Lampen, alongside composing music for numerous dance and theatre productions. \u003c\/p\u003e","published_at":"2026-06-30T11:37:29+02:00","created_at":"2026-06-30T11:37:28+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Puro Recordings","product_type":"Vinyl","tags":["Electronic","Experimental","Jazz"],"variants":[{"id":53211638825227,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"27.00","grams":400,"compare_at_price":null,"position":1,"product_id":10991274885387,"created_at":"2026-06-30T11:37:28+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69623685873931,"created_at":"2026-06-30T11:36:04+02:00","position":1,"updated_at":"2026-06-30T11:36:07+02:00","product_id":10991274885387,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/aikajatila.jpg?v=1782812167","width":700,"height":700}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10990881603851,"title":"HALKYN - s\/t LP","handle":"halkyn-s-t-lp","body_html":"\u003cp\u003eConcentric Circles is pleased to present a collection of recordings from Halkyn, the solo project of Chris Coyle, most known for being a member of much beloved Leeds, UK group Empress. Halkyn released two 7”s around the turn of the century on the 555 label, which have, like a lot of the best music from that time, fallen somewhat by the wayside. This LP release collects both of those 7”s, along with a few tracks that originally appeared on compilations, and two unreleased recordings from the time.\u003c\/p\u003e\n\u003cp\u003eHalkyn was part of a small non-scene of sorts in Leeds that included Hood and Empress, which collectively was a small group of friends who appeared on each others records, with Hood acting as somewhat of an anchor. In addition, they all shared a similar knack for writing beautifully melancholic music, with an occasional foray into electronic abstraction that still remained approachable. Halkyn’s music was imbued with a glass-like sense of fragility, sometimes feeling like it’s on the verge of collapse, but Coyle, being a master of melody, always rooted his tracks back down into the earth. This is music for slow, grey skied walks in the countryside.\u003c\/p\u003e\n\u003cp\u003eHalkyn has remained a lesser known name from that special time in music, but we hope that this LP, released in an edition of 300 copies with beautiful jacket photography from Coyle himself, will help put his name on the map where he belongs.\u003c\/p\u003e","published_at":"2026-06-29T13:56:56+02:00","created_at":"2026-06-29T13:56:54+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Concentric Circles","product_type":"Vinyl","tags":["Folk","Indie","Lo-Fi"],"variants":[{"id":53210731282699,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"price":"32.00","grams":300,"compare_at_price":null,"position":1,"product_id":10990881603851,"created_at":"2026-06-29T13:56:54+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69619660128523,"created_at":"2026-06-29T13:56:30+02:00","position":1,"updated_at":"2026-06-29T13:56:32+02:00","product_id":10990881603851,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/halkyn.jpg?v=1782734192","width":600,"height":600}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10693949817099,"title":"FURY - Failed Entertainment LP","handle":"fury-failed-entertainment-lp","body_html":"\u003cp\u003eOn December 31, 2016, a poem was recited at a party in Australia to a small group of friends at the stroke of midnight. Penned a few hours earlier, it was both a lamentation and a critique, inspired by the disturbing and disorienting events of the preceding year, which, like all of history’s worst moments, had created a radical new context for all art to come. \u003cbr\u003e\u003cbr\u003eWhile that poem was being recited, Fury, the hardcore band from Orange County, California, was playing in Berlin, some 10 time zones and 10,000 miles away. The band —singer Jeremy Stith, lead guitarist Madison Woodward, rhythm guitarist Alfredo Guiterrez, bassist Daniel Samayoa, and drummer Alex Samayoa — was probably disheveled, their T-shirts wrinkled, their hair slightly undone. I wouldn’t know, I wasn’t there. But having seen the band many times, I’d bet that Stith spoke with his elbows out between songs,expressing with unmatched earnestness his love for any number of people and things; that the band sounded tight in spite of their being in constant motion and of the stagedivers who were probably stepping on pedals and unplugging cables; and that after the set everyone there would have been willing to believe that the new year could be better than the last. Fury finished their tour about a week later, returning home\u003cspan class=\"bcTruncateMore\"\u003e suspecting they had more to say and would write another record. They also came home with a poem in mind that would guide their way, one recited a week before In Australia, at a small gathering of friends, at least one of whom had sent Stith the transcript. “The poem sparked something in me like white heat,” he said. \u003cbr\u003e\u003cbr\u003eForming in 2014, Fury established themselves quickly, releasing both a demo on Washington, D.C.’s Mosher Delight Records and the “Kingdom Come” EP on Boston’s Triple B Records in the same calendar year. They built on the melodic legacy of Orange County by way of heavy, rhythmic, start-stop guitars and Stith’s wordy and referential lyrics. Then, in 2016, came their debut LP on Triple B Records, “Paramount,” which was met with respect from the hardcore community and praise from outsider critics. \u003cbr\u003e\u003cbr\u003eNow, two New Year’s Eves later, Fury releases “Failed Entertainment,” their sophomore LP and debut with Boston-based Run For Cover Records. As with their previous records, “Failed Entertainment” was recorded by Colin Knight and their own guitarist Madison Woodward at Paradise Records, in Anaheim. This time, though, the band also sought new surroundings and outside expertise, collaborating with engineer Andrew Oswald at Secret Bathroom Studios, as well as mixing engineer Jack Endino (Nirvana, Soundgarden, Seaweed). The new batch of songs shows growth in all directions: the slow parts more brooding, the melodies catchier, the lyrics out even further on the limb. From the hammer-ons at the beginning of “Angels Over Berlin” to the tambourine on “Crazy Horses Run Free,” Fury complements their past without complicating their understanding of their present, keeping their feet firmly planted in hardcore while bringing in complementary influences, from literature to film to myriad bands and visual artists. The songs are littered with nods to lines that Stith said “sparked or reaffirmed whatever it was I was going through\/thinking about.” \u003cbr\u003e\u003cbr\u003e“Failed Entertainment” documents the work, both personal and creative, undertaken since the release of “Paramount,” a period of time marked by as many difficulties as successes. Stith said, “I’ve asked myself ‘Why have I done this?’ and ‘Why do I continue to do this?’ more times in the last two years than the rest of my life combined.” Those eternal, existential questions form the thematic foundation of the new songs, which look past the superficial concerns about status and popularity that preoccupy so many musicians, focusing instead on life’s inevitable, inescapable problems and the ways in which they can be compounded by the banal realities of art-making — the isolation of being on tour, the pressure of being expected to somehow transform that universal angst into nice, catchy songs that provide simple lessons. “I wanted a record about failure and acceptance of unknowingness, how necessary they are for growth. I wanted to reflect duality and greyness, the spectrums of life. Never black or white, always more to the story, never too much context.” \u003cbr\u003e\u003cbr\u003eAt first, the record feels bleak as Stith sings the daunting opening lines: “The grey is clear, but too cold to continue \/ No \/ Not there \/ Here.” But the fatalism proposed by those words never actualizes. Instead, there is a yearning for connection and understanding alongside a belief that, even under tremendously dour circumstance, hope for redemption can still be exist. As Stith sings on “Birds of Paradise: “Done pretending that it’s all out of reach \/ Unafraid for the day we die \/ Found a way to clip my wings and fly.” \u003cbr\u003e\u003cbr\u003eWhat finally emerges is nothing less than Fury’s take on the human experience, an attempt to describe every person’s life and how it interacts with others through unmatched highs, desperate lows, and mundane middles. And it all comes to a head on the penultimate track, “New Years Eve (Melbourne),” a group recitation of the very poem recited in earnest among friends that night in Australia. Though the idea that the human experience is something that can be understood and labeled is either right on the nose or too grandiose. But to Stith, the goal was to fit every last drop of humanity in between the grooves of the record, and that’s where the success and failure of this entertainment lies. “I’ll never be able to communicate every single thought and feeling,” says Stith “, a Failed Entertainment.”\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-29T11:42:59+02:00","created_at":"2025-09-03T18:00:03+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Run For Cover Records","product_type":"Vinyl","tags":["hardcore","Post-Hardcore"],"variants":[{"id":52160519176459,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"price":"27.00","grams":300,"compare_at_price":null,"position":1,"product_id":10693949817099,"created_at":"2025-09-03T18:00:03+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":59840774111499,"created_at":"2025-09-03T17:59:25+02:00","position":1,"updated_at":"2025-09-03T17:59:28+02:00","product_id":10693949817099,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/fury.jpg?v=1756915168","width":700,"height":700}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10990213792011,"title":"DANIEL A.I.U. HIGGS - Atomic Yggdrasil Tarot BOOK + CD","handle":"daniel-a-i-u-higgs-atomic-yggdrasil-tarot-book-cd","body_html":"\u003cp\u003e\u003cspan\u003eCD version packaged in a full color 48 page 6x8\" hard cover book featuring the paintings and poetry of Daniel A.I.U. Higgs. The CD enclosed with the book is a full length album recorded in his home and is intended to be experienced with the book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eDaniel Arcus Incus Ululat Higgs is a musician and artist from Baltimore, Maryland on whose behalf superlatives are destined to fail. It’s not that his artistic output – spanning three decades, numerous albums, books of poetry and collections of drawings – simply eludes classification, it defies it. Often we hear that a true work of art is meant to speak for itself, and with the work of Daniel Higgs the maxim rings truer than ever. His art is of the cosmos, we on Earth merely lucky that it happens to be confined to our atmosphere, in our lifetime.\u003cbr\u003e\u003cbr\u003eHiggs is known primarily for his work as the sole lyricist and frontman of the band Lungfish, a four-piece dedicated to charting, in this listener’s estimation, nothing short of the evolution of all species, known and unknown. That the band has undertaken this pursuit in the guise of a humble rock outfit, in the absence of any public relations fanfare, metanarrative, or manifesto has been enough to endear them to tens of thousands. They are enshrined as one of America’s last true folk bands, and Higgs anointed as a patron saint to artistic purity.\u003cbr\u003e\u003cbr\u003eIn recent years, Higgs has released a number of solo outings that can only be described as the ultimate in isolation, worlds away from the hypnotic, communal rock of his band. On Atomic\u003cspan class=\"bcTruncateMore\"\u003e Yggdrasil Tarot, Higgs weaves meditative, casually ruptured drones using acoustic and electric guitar, upright pianos, banjo and jew’s harp, recorded entirely at home on cassette recorder. He pairs the music with a series of paintings that call to mind religious iconography passed through the disfiguring surrealism of Miro.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-27T17:04:54+02:00","created_at":"2026-06-27T17:04:52+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Thrill Jockey","product_type":"Books","tags":["Art Books","Book","Books"],"variants":[{"id":53208521801995,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"14.00","grams":1000,"compare_at_price":null,"position":1,"product_id":10990213792011,"created_at":"2026-06-27T17:04:52+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69612156780811,"created_at":"2026-06-27T17:03:50+02:00","position":1,"updated_at":"2026-06-27T17:03:54+02:00","product_id":10990213792011,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/AtomicYGG.jpg?v=1782572634","width":1200,"height":1200},{"id":69612157600011,"created_at":"2026-06-27T17:04:08+02:00","position":2,"updated_at":"2026-06-27T17:04:11+02:00","product_id":10990213792011,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/AtomicBook.jpg?v=1782572651","width":1200,"height":800},{"id":69612157763851,"created_at":"2026-06-27T17:04:15+02:00","position":3,"updated_at":"2026-06-27T17:04:18+02:00","product_id":10990213792011,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/HiggsBook.jpg?v=1782572658","width":1200,"height":800}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10989673283851,"title":"ADRIAN SHERWOOD \/ AFRICAN HEADCHARGE \/ SPEAKERS C - Barbican Heights LP","handle":"adrian-sherwood-african-headcharge-speakers-c-barbican-heights-lp","body_html":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eFollowing on from this year’s critically acclaimed The Collapse Of Everything, Adrian Sherwood teams up with Speakers Corner Quartet and African Head Charge for new four track EP Barbican Heights, a project which traverses the musical worlds of dub, jazz, electronic, afrobeat, and beyond. Recorded during a singular day of creative spontaneity at Wicker Studios, the three acts, alongside Alex White of Primal Scream and Fat White Family, combined for semi-improvised reworkings of classic African Head Charge composition “Wicked Kingdom Of This Earth”, Speakers Corner Quartet’s own “Topanga”, as well as two new tracks constructed from scratch during the session.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-26T12:26:27+02:00","created_at":"2026-06-26T12:26:26+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"On U Sound","product_type":"Vinyl","tags":["Dub","Reggae"],"variants":[{"id":53207202070795,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"32.00","grams":300,"compare_at_price":null,"position":1,"product_id":10989673283851,"created_at":"2026-06-26T12:26:26+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69605246206219,"created_at":"2026-06-26T12:25:52+02:00","position":1,"updated_at":"2026-06-26T12:27:01+02:00","product_id":10989673283851,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/AdrianSherwoodBarbaric.jpg?v=1782469621","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10988317737227,"title":"STELLA KOLA - s\/t LP","handle":"stella-kola-s-t-lp","body_html":"\u003cp\u003eOriginally self-released in 2023, Stella Kola, the debut album from Beverly Ketch (Jow Jow, Weeping Bong Band) and Robert Thomas (Sunburned Hand of the Man, Dalthom), now returns in a renewed edition—bringing wider attention to a record that already felt like a quietly essential artefact from the moment it first appeared. \u003cbr\u003e\u003cbr\u003eGiven the pair’s respective roots—and the presence of collaborators drawn from across the Northeast experimental underground—one might expect “a brutal blast of acid swirl.” Instead, what emerges is something far more unexpected. The album is “steeped, not in noise and dissonance, but in the fragrant, captivating folk of Linda Perhacs, Judee Sill, Karen Dalton, and Bridget St John.” \u003cbr\u003e\u003cbr\u003eFrom the opening moments, especially on “Rosa,” the record reveals its core sensibility: “a ballad that digs deep into the psychedelic-folk tradition until it takes root in a freshly sporous permaculture.” What follows is a set of songs that feel both carefully assembled and organically grown—delicate structures held together by a wide circle of contributing musicians, including Wednesday Knudsen (flute), P.G. Six (harp, guitars, keys), Gary War (synth), Jen Gellineau (viola, violin), Willie Lane, L. Gray, and others. \u003cbr\u003e\u003cbr\u003eRather than functioning as studio additions, these\u003cspan class=\"bcTruncateMore\"\u003e collaborators form a genuine collective presence. “The family affair feeds into the album’s charms,” and the feeling is unmistakably communal. Like many of the ‘60s folk records it echoes, Stella Kola carries “the feeling of community and camaraderie” at its core, shaping a warmth that runs through the entire release. \u003cbr\u003e\u003cbr\u003eThe album’s emotional palette leans toward a quiet, persistent melancholy: “the best records from that era also carried with them an inherent sadness and Stella Kola’s songs wash over the listener with a beautiful woe.” Its sound edges into the terrain of Fairport Convention and Pentangle, with references to “Beggar’s, Kings, Dark Damsels, and Tarot,” yet never settles into revivalism. Instead, Ketch and Thomas extend the tradition outward, refracting it through their own distinctly American, underground language. \u003cbr\u003e\u003cbr\u003eAs one early description of the album notes, “the masterful restraint of ‘Rosa’ and the rest of Stella Kola’s shimmering debut evokes Anne Briggs, C.O.B., Pentangle and similar ancestors that knew the best way to honor traditions was to widen the heritage even further.” \u003cbr\u003e\u003cbr\u003eEven among a prolific and unpredictable network of underground musicians, Stella Kola stands apart. “It’s early in the year, but it’s hard to see an album, especially a debut, capturing the heart as hard as this one.” With its return in reissue form, the album reasserts itself not just as a hidden gem, but as an essential document of contemporary folk experimentation—an intimate, collective work that continues to unfold with time.\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-26T11:57:30+02:00","created_at":"2026-06-24T18:10:24+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"AGUIRRE records","product_type":"Vinyl","tags":["Folk","Indie","singer-songwriter"],"variants":[{"id":53203147030795,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"30.00","grams":300,"compare_at_price":null,"position":1,"product_id":10988317737227,"created_at":"2026-06-24T18:10:24+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69596909240587,"created_at":"2026-06-24T18:08:45+02:00","position":1,"updated_at":"2026-06-24T18:08:49+02:00","product_id":10988317737227,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/stella_kola.webp?v=1782317329","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10988318458123,"title":"OTTO A TOTLAND - Pinô LP","handle":"otto-a-totland-pino-lp","body_html":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cstrong\u003eFINALLY REPRESSED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eOtto A Totland's modern compositional elements are most widely recognized as half of the Norwegian duo Deaf Center, where his melancholic, intricate piano work provides haunting relief to the beds of noise and deep strings from Erik K Skodvin. Pinô is the first full-length release by Totland, though his solo work has been released once, as the 5-minute A-side of Sonic Pieces 7inch Harmony From the Past. Otto's previously brief vignettes are now expanded into a fully personal realization of his own style. \u003cbr\u003eInitial track Open fills itself with heavy, knowing pauses that quickly become overwhelmed with the desire to understand what's to come. Each silence leads into quick flutters of keys, preparing the listener for a vast terrain of giddy beauty, bleak depths, and true contentedness. Pinô quickly recalls deep winter; in front of a fireplace for days on end, you lose how far along you've ventured into the 18 tracks without any idea how far is left to go. The experience feels inevitable, with no other option but to curl up somewhere cozy and appreciate the sense of timelessness that Totland has created. His album is a haunting modern compositional treasure, expressed through instrumentals completely unique to Totland and captured masterfully by Nils Frahm at\u003cspan class=\"bcTruncateMore\"\u003e Durton Studios. \u003cbr\u003eWith Pinô, Otto A Totland appears out of the Norwegian landscape, sharing an achievement that will provide a relief during the brooding winter darkness. Though a highly personal endeavor, the recognizable continuation of Totland’s compositions will attract fans of Deaf Center, and the cinematic and classical components of his solo work will hold sway for those familiar with Harold Budd or Dustin O’Halloran.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e","published_at":"2026-06-26T11:57:11+02:00","created_at":"2026-06-24T18:16:35+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Sonic Pieces","product_type":"Vinyl","tags":["Modern Classical","Piano","Reissue"],"variants":[{"id":53203147784459,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"29.00","grams":300,"compare_at_price":null,"position":1,"product_id":10988318458123,"created_at":"2026-06-24T18:16:35+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69596935651595,"created_at":"2026-06-24T18:14:36+02:00","position":1,"updated_at":"2026-06-24T18:14:38+02:00","product_id":10988318458123,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/pinototland.jpg?v=1782317678","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10988328321291,"title":"BEATRIZ FERREYRA - A Distracted God LP","handle":"beatriz-ferreyra-a-distracted-god-lp","body_html":"\u003cp\u003eA note from Lawrence English...\u003c\/p\u003e\n\u003cp\u003eBeatriz Ferreyra is a sonic world builder.\u003c\/p\u003e\n\u003cp\u003eFor six decades she has been responsible for the creation of works that inhabit a place between the living world and the subliminal zones of the unconscious. Her compositions forge new realities, constructed piece by piece, from fragments of places and things we know, reedited and refocused to create something few of us might even imagine possible.\u003c\/p\u003e\n\u003cp\u003eFerreyra’s life in sound has transcended from the analogue to the digital and back again. She is equally at home with tape manipulation as she is with digital transformations and it is this sense of material agnosticism which has lent her work such a personal quality. She pursues sound in the absolute, and allows it to guide her curiosity.\u003c\/p\u003e\n\u003cp\u003eA Distracted God collects three works from Ferreyra, each one a microcosm of listenership that speaks to her wholly consuming practice in sound. The edition takes in both tape and computer based works, which reveal the very particular ways within which Ferreyra has explored and shaped sound. She remains one of the true pioneers of her generation, a fearless and relentless maker for whom the totality of sound’s affect is forever front of mind.\u003c\/p\u003e","published_at":"2026-06-26T11:57:04+02:00","created_at":"2026-06-24T18:21:54+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Room40","product_type":"Vinyl","tags":["Avantgarde","Modern Classical","Musique Concrete"],"variants":[{"id":53203213517067,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"34.00","grams":300,"compare_at_price":null,"position":1,"product_id":10988328321291,"created_at":"2026-06-24T18:21:54+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69596968222987,"created_at":"2026-06-24T18:20:38+02:00","position":1,"updated_at":"2026-06-24T18:20:40+02:00","product_id":10988328321291,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/beatrizferreyra.jpg?v=1782318040","width":700,"height":700}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10988329271563,"title":"J AND THE WOOLEN STARS - Puff LP","handle":"j-and-the-woolen-stars-puff-lp","body_html":"\u003cp\u003eUlla’s 28912 label returns with a gorgeous bouquet of lowercase wonders that'll cast a gentle spell over anyone on the line from Vincent Gallo to The Humble Bee, Sofie Birch to Tenniscoats.\u003c\/p\u003e\n\u003cp\u003eThe fourth release on the label following Naemi's 'Breathless, Shorn' and Ulla's own 'Hometown Girl', and its ‘Other Girl’ companion piece, 'Puff' is a new album from Justin Cantrell aka J and the Woolen Stars, a core member of Naarm's underground scene as part of local supergroup Picnic, and the brains behind the excellent Daisart and se Dessaisir Publishing labels - we recommend you check in on both if you haven't already done so. ‘Puff’ is a glistening pool of lush refractions and music-box lullabies, featuring an array of acoustic instruments and fragile foley sounds that are gently peeled away until all we’re left with are the faded outlines of half-remembered songs.\u003c\/p\u003e\n\u003cp\u003eA sound that roots itself in the prophetic machinations of artists like Fennesz and the languid Japanese minimalism of Fourcolour or Moskitoo, 'Puff' strikes a delicate balance, sounding as bewitchingly informal as a Tenniscoats set, but also consistently muddling the perception of high and low-brow sound. Cantrell's skill lies in a sort of sonic conjuration, bamboozling the brains of those of us who grew up listening to stepped-on audio via ramshackle RealMedia streams by alchemising the content, turning found sound into gold. Just tell us you don't get chills from hearing the bitrate-impaired acoustic guitar on 'Dirty like an angel', set against a backdrop of windy, harmonic detritus. It's both meticulously contrived and gloriously off-the-cuff, like one of Vincent Gallo's classic 'When'-era demos reduced down to 96kbps.\u003c\/p\u003e\n\u003cp\u003eSimilarly, 'She knows just what to say' provokes faint memories of folk music, with impromptu fiddle parts gently steamrolled to create a sound that’s nothing short of exquisite, like pressed flowers rediscovered in an old, discarded book. Even the more palpably electronic elements are hand sculpted in a way that belies the era we're living in - it's music for a digital age that sounds oddly unplugged, flawed and human. An unmistakably lovely antidote to the opiating nostalgia of our time.\u003c\/p\u003e","published_at":"2026-06-26T11:56:57+02:00","created_at":"2026-06-24T18:29:13+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"28912","product_type":"Vinyl","tags":["Ambient","Australia","Electronic","Experimental"],"variants":[{"id":53203216433419,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"30.00","grams":300,"compare_at_price":null,"position":1,"product_id":10988329271563,"created_at":"2026-06-24T18:29:13+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69597015572747,"created_at":"2026-06-24T18:28:53+02:00","position":1,"updated_at":"2026-06-24T18:28:57+02:00","product_id":10988329271563,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/jandthewoolenstars.jpg?v=1782318537","width":1200,"height":1200}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10988329828619,"title":"ALAN \u0026 JAN - Take Me, I'm Yours LP","handle":"alan-jan-take-me-im-yours-lp","body_html":"\u003cp\u003e\"Take me, I’m yours\" is the first collaboration album between Alan Abrahams and Jan Jelinek. Released through the latter’s faitiche, it builds upon multi-layered vocal sketches by the former. The Paris-based artist, primarily known for his work as Portable and Bodycode, supplied Jelinek with multi-layered song sketches that the German artist subjected to a rigorous process of manipulation, excavating the ambiguities of the original material and transforming its rhythms into subtle pulses. \"Take me, I’m yours\" is neither a typical Abrahams record nor a classic Jelinek album—it is something third, mediating between the physicality of the voice and the abstraction of electronic sound design. \u003cbr\u003eThe two had crossed paths before really getting to know each other after Abrahams invited Jelinek to play at one of his Süd Electronic parties. The idea of a collaboration emerged slowly. “It started as an experiment, and over the past few years grew from a few tracks into this album,” says Abrahams. He describes recording the basic material as a “tantalizing” process, not knowing how Jelinek would transform his material, some of which was based on wordless chanting, while other tracks were working with lyrical content. However, their mutual trust allowed Jelinek to remove\u003cspan class=\"bcTruncateMore\"\u003e the harmonies, radically reduce the rhythms, and concentrate on Abrahams’ voice. \u003cbr\u003eJelinek heard something “fragile” in this voice, “moments of doubt and dark premonitions.” He points to Forever as an example. “Alan’s original song reminded me of classic vocal house, but his voice seemed to almost break,” he says. “This contradiction made the piece even bigger, because we hear a singer in the moment of an awakening.” He further accentuated such tensions through arrhythmic synth modulations and time-stretching algorithms, while also adding concrete sounds from a variety of sources. With its dedication to both transforming and amplifying the emotional qualities hidden within Abrahams’ pieces, \"Take me, I’m yours\" functions as a dialogue between those two singular artists.\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-26T11:56:51+02:00","created_at":"2026-06-24T18:33:51+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"Faitiche","product_type":"Vinyl","tags":["Ambient","Electronic","Experimental"],"variants":[{"id":53203216957707,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"28.00","grams":300,"compare_at_price":null,"position":1,"product_id":10988329828619,"created_at":"2026-06-24T18:33:51+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69597031596299,"created_at":"2026-06-24T18:32:26+02:00","position":1,"updated_at":"2026-06-24T18:32:29+02:00","product_id":10988329828619,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/alanjan.jpg?v=1782318749","width":600,"height":600}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10988330320139,"title":"BYARD LANCASTER \u0026 KENO SPELLER - Exactement DLP","handle":"byard-lancaster-keno-speller-exactement-dlp","body_html":"\u003cp\u003eAt the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler. \u003cbr\u003e\u003cbr\u003eIn 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of… Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. \u003cbr\u003e\u003cbr\u003eOn Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib. \u003cbr\u003e\u003cbr\u003eThe recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent “Mother Africa”. \u003cbr\u003e\u003cbr\u003eTwo names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise\u003cspan class=\"bcTruncateMore\"\u003e, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow. \u003cbr\u003e\u003cbr\u003eIt is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, \"Dr. Oliver W. Lancaster\") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities. \u003cbr\u003e\u003cbr\u003eThen, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note… ends up by playing exactement the note he had to play.\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-26T11:56:44+02:00","created_at":"2026-06-24T18:38:49+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"soufflecontinu","product_type":"Vinyl","tags":["Free Jazz","Jazz","Reissue"],"variants":[{"id":53203217514763,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"34.00","grams":550,"compare_at_price":null,"position":1,"product_id":10988330320139,"created_at":"2026-06-24T18:38:49+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69597065871627,"created_at":"2026-06-24T18:38:21+02:00","position":1,"updated_at":"2026-06-24T18:38:23+02:00","product_id":10988330320139,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/exactement.jpg?v=1782319103","width":600,"height":528}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]},{"id":10988330778891,"title":"BYARD LANCASTER - Funny Funky Rib Crib LP","handle":"byard-lancaster-funny-funky-rib-crib-lp","body_html":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eAt the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler. \u003cbr\u003e\u003cbr\u003eIn 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of… Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. \u003cbr\u003e\u003cbr\u003eOn Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib. \u003cbr\u003e\u003cbr\u003e“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul. \u003cbr\u003e\u003cbr\u003eIf Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to\u003cspan class=\"bcTruncateMore\"\u003e James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)… \u003cbr\u003e\u003cbr\u003eFunny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. \u003cbr\u003e\u003cbr\u003eOn both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib!!!\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e","published_at":"2026-06-26T11:55:36+02:00","created_at":"2026-06-24T18:43:20+02:00","updated_at":"2026-07-08T02:28:55+02:00","vendor":"soufflecontinu","product_type":"Vinyl","tags":["Free Jazz","Jazz","Reissue"],"variants":[{"id":53203218104587,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"price":"28.00","grams":300,"compare_at_price":null,"position":1,"product_id":10988330778891,"created_at":"2026-06-24T18:43:20+02:00","updated_at":"2026-07-08T02:28:55+02:00"}],"images":[{"id":69597087760651,"created_at":"2026-06-24T18:42:39+02:00","position":1,"updated_at":"2026-06-24T18:42:42+02:00","product_id":10988330778891,"variant_ids":[],"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0529\/3899\/7932\/files\/2-byard-lancaster-funky-funky-rib-grib.webp?v=1782319362","width":970,"height":970}],"options":[{"name":"Title","position":1,"values":["Default Title"]}]}]}